Eventually these things become like the three blind men each holding onto a piece of the elephant and "seeing it a different way. The trunk, the foot and the tail.
Bottom line? Pick your color. Pick your manufacturer, Pick your chemistry.
https://www.google.com/search?q=tamiya+ ... jXUEAwwFmM:
I assume your going to pick a regular candy flavor. Stay away from lacquer! The golden rule is enamel over lacquer, NEVER lacquer over enamel. Sure, people get away with all sorts of things, until they dont. Therefore, sight unseen/unknown, enamel is your first best choice. What ever you choose, be sure to get their compatible clear when you order. There is no reason not to have piece of mind when the time comes. I try to stay in brand for critical jobs, unless I already know the combination is safe. Hence my constant nagging and harping about test shots.
(Note: there is also a modern addendum to the rule, where "Quick Dry" enamels should be test shot as well. Typically you will recognize them by their short recoat interval, and a rather long recoat waiting period should you miss the recoat flash window. Typically they'll have the scary flaming clown in the warning triangle on the label. Just sayen.)
Are you air brushing or shooting straight from the can?
Do a quick test dab, preferably somewhere where any clear may have underlapped, if there is even any clear at all. Im not sure I would care, so long as whatever the factory finish happens to be, proves to remain fast with your chosen product. Assuming there is sufficient underlap of the exterior finish, you could also back mask the model and leave a spot underneath also get an idea of how many coats you want, so you dont have to decide on the fly. Assuming your test shot is golden, use Dawn dish soap and a squirrel hair brush to carefully wash the body. Lather up the edges and seams, and pounce them a bit with the brush. This is where good paint jobs let go! Keep even strokes on the broader surfaces and stay with the line of the car. Dry it with a soft clean cloth so's not to mar the surface that you do have. The whole idea is to keep that perfect reflection. If there is some play wear or scratching, dont be afraid to try an inconspicuous area and use a polish to perfect the finish, prior to the "Dawn-Wash". Inspect closely for any dust hangers or hairs on in good light. Especially the hood the roof and the trunk, and along any taped edges. The turds always land right in the punchbowl! I'm a great grandpa now, so I'm not vain about checking that stuff with my 3X readers.
It's important to remember that you are not painting solid or metallic coats which will obscure the base layer. It's about optics. You are basically laying a color filter over the chrome and or clear factory base. That said, one has to be rather robotic with your passes, in order to keep your coverage as consistent as possible. Your fan overlap should be a uniform 50% on every pass, and you always need to stay focused and work the wet edge. This means that one coat is actually two, and you shouldnt have to recoat unless you want to darken it up for some reason.
Dont be wandering off chasing puppies and butterflys. The first thing they teach you when spraying paint is to learn to focus and stay on track so as to spray an even LIQUID film across the entire surface. Make sure to always go on and off the trigger when the fan is off the work piece. Especially with candy. Never engage or disengage the nozzle when on the fresh liquid film. You're supposed to paint a little bit of the air around the work piece when you start and stop your passes. Your fan should come on clean, and go off clean.
In the link above, you'll see some test blats on plastic spoons. It's a great way to get a feel for how your chosen product will behave. Be sure and check the delivery. Not all bomb can nozzles are created equally, and if it isnt up to snuff, send it back until they get you one that atomizes correctly. Any splots splats or drops in the pattern should be rejected. I actually save good bomb nozzles, weirdo that I am. Same idea for airbrush. Inspection and viscosity adjustments should be done beforehand on a spoon, or and old diecast car so you can see how the material is going to hang, or not. Just on a related vector, there is also no reason you couldnt drop a bit on some foil, or a chrome widget you have laying around in the garage or shop. Every scrap of info is important.
By the time you get all the precursory nonsense done, you should have a good feel for whats to come, and you wont be walking in dead cold on "spray-day". I've never met a good painter that didnt have some quirks. I have many, and I recommend that everyone develop their own, and share them at all times.